The bathroom backstage is old and definitely needs to be remodeled. The mirror is cracked, but I steal a glance at myself anyway. Hot, sweaty, and a mess. Oh, well. I try to stick the pieces of my hair that have fallen out of my low-slung bun back into the elastic as best I can and then head out. I’m a little nervous about starting this journey and a little excited at the same time. Singing is what I love, so getting back to sharing my music is exciting, but having Xander so close has put me on edge. My feelings for him are unclear and crystal clear at the same time—that’s why I’m nervous.

The smell of hamburgers fills the air, and I smile when I see that the food has been put on the tables previously set up in the orchestra section of the amphitheater. Since I’m starving, I make a plate and join the guys. Xander is not here. See, I’m still thinking about him—crap. I take a seat in the metal folding chair next to Garrett. His slightly long blond hair covers his gray eyes, shielding them from the sun. I just grin at him because his hairstyle and boyish face make him look like he’s still fifteen, and he really is cute. His lip ring only adds to his youthful appearance, and his tall, skinny stature certainly doesn’t help him look any more grown-up. When my phone rings again, I ignore it and switch it to VIBRATE.

Garrett asks, “Not going to answer that?”

The sunglasses on my face not only keep the sun from blinding me but also keep Garrett from seeing the stir of nerves within me. Damon’s continual calls are wearing on me. Smiling, I tell him, “It would be rude to answer at the table.”

He smiles back and takes a bite of his burger.

I push the unidentifiable salad around on my plate. “Do you think these are potatoes?”

He shrugs his shoulders and takes another bite of the mound identical to mine on his own plate. “It tastes like macaroni to me.”

Suddenly, the heap of food on my plate becomes very unappealing and I’m not hungry anymore. I push it aside. Nix is sitting across from me, sipping his beer. “He eats anything,” he mumbles, rolling his eyes.

Nix is an attractive dark-haired guy. In high school he always had a girlfriend but never seemed interested in any of them. He’s tall, but not as tall as Xander, and he has an athletic build. His hair is short, his eyes are chocolate brown, and his skin always looks tan. He looks the same as in high school, just more mature and more built. But he now wears a very detailed tribal tattoo that circles his biceps with an intricate feather design draped down his arm. It’s always peeking out from under the short sleeve of his T-shirt. Garrett told me he got it right after graduation—he went to visit his great-uncle, who lives on an Indian reservation, and came home with it. Garrett said he never really explained to them why he got it, but he figures it has something to do with his family heritage.

I stand up and toss my plate in the trash. My phone rings again, but this time it’s my mother and I decide to bite the bullet and get it over with.

“Hello.”

“Ivy, it’s your mother, honey,” she says, as if I didn’t have caller ID or recognize the sound of her voice.

“Mom. Hi.” I drop down to sit on the steps.

“I’ve been calling you. Why didn’t you call me when you broke off your engagement with Damon? I had to hear it from him.”

“I’m sorry. I just have a lot going on right now.”

“Well, sweetie, I’d like to have lunch this week if possible.”

I take a couple of deep breaths. “Mom, I’m going on the road with another band for a few months and I’m busy getting ready, but I promise I’ll call you as soon as I get settled.”

“Ivy, honey, it’s important. Your sister’s tuition is due and I don’t have the money and somehow I missed the mortgage payment last month.”

“Mom, I’ll see what I can do. Money is tight right now.”

“Oh,” she responds. “Do you think you could ask Damon?”

“No! I should be able to get you some money in a few weeks.”

“I can’t wait that long. The bank will take the house.”

I squeeze my eyes shut. “Listen, come get my car. I’ll text you where it is. I’ll leave the keys and the signed pink slip under the mat. That should hold you over for a bit.”

“Ivy, that would help tremendously.”

“I have to go, Mom. I’ll call you soon.”

“Thanks, honey. I knew I could count on you.” She hangs up.

Her response was as automatic as mine. She knew all she had to do was ask. But what bothers me is that she didn’t even ask where I was going or with whom. That just wasn’t as important as getting a check.

My body fills with so much tension I feel paralyzed. I put my head in my hands and sit alone for the longest time, wondering how I’m ever going to free myself from her. Finally, I stand and head backstage to the bathroom to splash some cold water on my face. The floor is slatelike and my heels click against it with each step, but that’s not the only sound I hear—I hear Xander’s voice. With just one simple word he’s back in the front of my mind again and I stand frozen in place in the almost nonexistent space between the stage and backstage.

“Fuck,” he says, and the way the word rolls off his tongue catapults me back in time.

I had missed a week of school and band rehearsals. I was in the tenth grade and Xander had just gotten his license. I was sick, but I still had to babysit—my mother was working. The doorbell rang and when I opened it all I could see was a finger hooked around a hanging plant of ivy. I slammed the door shut, thinking it was the neighbor kids playing a practical joke and almost caught his finger.

“Fuck!” he yelled, and I immediately opened the door again.

He came into view and handed me the pot. I raised an eyebrow and just looked at him.

He grinned. “What?”

I eyed the ivy plant.

Shrugging, he said, “Roses are so cliché.” Then he kissed me and snickered. “I prefer Ivy.” He made the statement sound simple, but it was so full of meaning. His gift was a symbol of our love and it was something that could last forever . . . like I thought we would. He stayed that night to help me babysit. Once the girls fell asleep, we watched the Grammys and we talked about our dreams for each other—his was that I would be up on that stage one day. That made me laugh and made me cry. After that night he’d bring me ivy plants of all kinds—sometimes as a gesture to make up, sometimes for my birthday, sometimes just because . . . and I loved them all. I planted them in the garden I started with my sisters or hung them in my room, and they never died, but I did dig them all up and throw them away the night I saw him with Tessa.

Shaking off the memory, I divert my attention away from him and try to push him out of my mind. But when he yells, “Come on, motherfucker!” I can’t help but steal a glance. He’s talking to some guy I don’t know and the motherfucker in question is a coin. Watching him as he throws his muscled arm up to release the coin and yells, “Heads,” subconsciously I yell, “Heads” in unison. I know his call—it hasn’t changed. The way his lip curves around the word as he says it gives me a sudden urge to suck on it. Turning, he looks at me and his eyes lock on mine. His mouth forms that same slow, easy grin that always made me weak at the knees. But I can’t smile back . . . I want to, but I’m afraid that if I do I won’t be able to compartmentalize him anymore. What’s between us has to stay professional; if not, things will get too messy. A flash of something mars his finely chiseled face, but he catches the coin without faltering. Covering it with his other hand, he cocks his head and bobs his chin, calling me over. I stay where I am. I hate him. I hate him. I have to keep saying it or I’ll forget.

Shrugging, he lifts his hand. “Heads it is.”

The tall, skinny man standing next him sighs. “Okay, we’ll drive straight through to Denver, but if I crash the bus I’m blaming you.”

Xander lets out an exaggerated laugh and slaps a hand on the man’s shoulder. “First of all, you have Brad, and second, you won’t crash the bus. You’ve made runs like this a million times.”

“Whatever you say, boss man,” replies the man I can now identify as John the bus driver.

Xander walks away. “See you on the bus,” he calls over his shoulder, maybe to me, maybe to John, maybe to both of us, I don’t know. What I do know without a doubt is that I want him. The sound of his voice alone makes every nerve in my body tingle, makes my ni**les tighten, and causes an ache between my legs. I stand there and watch him move with that ease he has about him, and I know this is going to be so much harder than I’ve convinced myself it would be.

Later that night, we board the bus and I run for refuge. I have to escape my attraction to him. Being near him only heightens it. I hop in the shower and then get ready for bed. I lie on the mattress in the back bedroom of the bus with my door locked and close my eyes. The movement of the bus should lull me to sleep, but it doesn’t. I can’t stop thinking about him. I picture his long, lean body, his face, the sounds he used to make, and even the way he says the word f**k. I remember the sound of his husky voice in my ear, the way his tone oozed sex. My hands slide down my own body and into my pajama bottoms. I tug the elastic down and kick them off, then spread my legs. And as I lie there alone in the darkness, my hands become his—doing what I want him to be doing so badly at this moment. I come in a shattering cl**ax and sleep finally consumes me.

CHAPTER 6

Talk to Me

Xander

The outside passes in a blur as I walk into the front lounge from the galley. As usual, I’m awake before any of the guys. I did my typical tour bus workout in the back lounge—sit-ups, push-ups, and weights that we keep back there. I’ll run tonight before the show. It’s hard to keep a routine on the road, but I try. It helps relieve stress and keeps me focused.

Entering the room, I get a feeling like I’ve been slapped in the face. Jack White’s “Love Interruption” is playing. It’s an awesome slow-burn blues ballad, and the lyrics seem to reflect the way my relationship with Ivy ended. I flip the light on and see her sitting there on one of the benches. Holding a cup with both hands, she’s drinking coffee and staring out the window. I hear soft, quiet notes as she sings along to the song, but she stops when the lights flicker. Her gaze darts to mine for one brief second, and then her eyes swing immediately back to the window.

I clear my throat. “Hey. Good morning.” It seems odd to see her on the bus.

She glances back toward me. Something flashes across her face, but it’s gone before I can pinpoint it. “Hey. Morning.” Her expression is neutral and her voice is low.

“How’d you sleep?”

She sets her cup down. “Great. The quiet of the engine seems to lull me to sleep every time I ride on one of these.” Her tone is sarcastic and I f**king love it.

I offer a smile, holding back my smirk. “Yeah, try sleeping on the bottom bunk with the floor vibrating underneath you.”

“I’ll pass,” she says and turns back to look at the cornfields and lush greenery of the Midwest surroundings.

I pour a cup of coffee and look over my shoulder. Lifting the pot, I ask, “Refill?”

“I’m good,” she answers, covering the top of her cup with her hand.

I move to sit across from her. “Mind?” I ask.

She shakes her head. I want to ask her a million questions. I want to know everything she’s done for the last twelve years, but when one of the songs from her first album comes on the radio, I settle for asking one simple question that has been eating at me. Her song “Hit It” surrounds us. The lyrics are about dancing but can very easily be misconstrued as being about sex. Since it doesn’t seem like a song she’d have sung, let along written, I nod toward the speaker and ask, “What made you take that road?”