Zach stared at her a moment. The last three writers he’d worked with had been men in their late fifties and early sixties. Never once had he seen any of them in their pajamas. And never had he met a writer as uncomfortably alluring as Nora Sutherlin.
“You’re shorter.”
“Thank God for stilettos, right? So what’s the verdict? J.P. said he’s giving you total control over the book and me. It’s been a long time since I’ve let a man boss me around. I kind of miss it.”
“The verdict is undecided.”
“A well-hung jury then. Better give me a retrial.”
“You’re very clever.”
“You’re very handsome.”
Zach shifted in his seat. He wasn’t used to flirtation from his writers, either. Then again, she wasn’t one of his writers.
“That wasn’t a compliment. Cleverness is the last recourse of an amateur. I look for depth in my books, passion, substance.”
“Passion I have.”
“Passion is not synonymous with sex. I’ll admit your book was interesting and not entirely without merit. At one point I even detected a heart inside all that flesh.”
“I hear a ‘but’ in there.”
“But the heartbeat was very faint. The patient might be terminal.”
She looked at him and glanced away. Zach had seen that look before—it was defeat. He’d scared her away as he’d planned. He wondered why he wasn’t happier about it.
“Terminal…” She turned her face back to him. A new look was shining in her eyes. “It’s almost Easter—the season of Resurrection.”
“Resurrection? Really?” Zach said, astonished by her tenacity. “I leave for Royal’s L.A. offices in six weeks. Six weeks is not nearly enough time to involve myself with any project of worth or magnitude. But six weeks is all we have.”
“You just said six weeks isn’t long enough—”
“But it’s all I have to give. Fix it in six and it’s off to press. If not—”
“If not, it’s back to the gutter for the guttersnipe writer, right?”
Zach stared at her in stunned silence.
“John-Paul Bonner’s the biggest gossip in the publishing industry, Mr. Easton. He told me what you think of me. He told me you think I’ll fail.”
“I’m quite certain of it.”
“If you’re my editor, my failure will take you down, too.”
“I’m not your editor yet. I haven’t agreed to anything.”
“You will. So why did you quit teaching?”
“Quit teaching?”
“You were a professor at Cambridge, right? Pretty good gig especially for someone so young. But you quit.”
“Ten years ago,” Zach said, shocked by how much she seemed to know about him. How on earth had she learned about Cambridge?
“So why—”
“Why my personal life is of such fascination to you, I cannot fathom.”
“I’m a cat. You’re a shiny object.”
“You’re insufferable.”
“I am, aren’t I? Somebody should spank me.” She sighed. “So you’re kind of an ass**le. No offense.”
“And you appear to be two or three words I don’t feel quite comfortable saying aloud.”
“I’d tell you to say them anyway, but I promised Wesley I wouldn’t let you flirt with me. But I digress. Tell me what’s wrong with my book. Say it slowly,” she said, grinning.
“You have a very sanguine attitude toward the editing process. What will you say when I tell you that you must cut out the ten to twenty pages you’re certain constitute the living, beating heart of your book?”
She said nothing for a long minute. Her eyes glanced away from him and she seemed to lose herself in a dark place. He watched as she breathed in slowly through her nose, held the breath then exhaled out her mouth. She turned her uncanny green eyes to him.
“Then I’ll say that I once cut the living, beating heart out of my own chest,” she said, her voice devoid of its usual flippancy. “I survived that amputation. I’ll survive this one.”
“May I ask why you’re so determined to work with me? I’ve done my research, Ms. Sutherlin. You have a rabid fan following that would buy your phone bill in hardcover and still manage to wank off to it.”
“I’m also very big in France.”
Zach gritted his teeth and felt the first stirrings of an impending headache. “Didn’t your ‘intern’ say you would settle down at some point?”
“Mr. Easton,” she said, rolling back in her swivel chair and throwing her legs back on her desk. “This is me settled down.”
“I was afraid of that.” Zach stood, prepared to leave.
“This book,” she began and stopped. She moved her legs off the desk and sat cross-legged in her chair. For a moment she looked both very earnest and terribly young.
“What about it?”
She looked away and seemed to search for words. “It…means something to me. It’s not another one of my dirty little stories. I came to Royal because I need to do right by this book.” She met his eyes again and without a trace of levity or mirth said, “Please. I need your help.”
“I only work with serious writers.”
“I’m not a serious person. I know that. But I am a serious writer. Writing is one of the only two things in this world I do take seriously.”