—Letter from Amendar of Orange to his sister,
on his second voyage to Estenzia
Adelina Amouteru
There was a time during my childhood, a brief time, when my father was kind to me. I dream of it tonight.
I am thirteen. My father wakes up in a cheery mood, then comes to my bedchambers and pulls my curtains open to let the light in. I watch him warily, uncertain what has brought about this sudden change. Did Violetta say something to him?
“Get dressed, Adelina,” he says, smiling at me. “Today I am taking you to the port with me.” Then he leaves, humming to himself.
My heart lurches in excitement. Can this be happening? Father always takes Violetta to the ports, to watch the ships and buy her presents. I have always stayed home. I sit in bed for a moment longer, still unsure, and then I hop to the floor and rush to my dresser. I choose my favorite outfit, a blue-and-cream Tamouran silk dress, and tie two long strips of blue cloth around my hair, securing it high behind my head. Maybe Violetta is coming with us, I thought. I skip out of my room to hers, expecting her to be ready too.
Violetta is still in bed. When I tell her where we’re going, she looks surprised, then worried. “Be careful,” she says.
But I’m so happy that I just sneer at her. She seems kind here, but that is only because she’s jealous that she isn’t coming. I turn away. Violetta’s warning fades from my thoughts.
The day is wonderful, full of bright colors. My father takes me on a canal ride. He helps me out of the gondola. The port is bustling with people, merchants calling for their wares to be shipped to the appropriate addresses, shopkeepers standing behind their stands, calling out at curious passersby, children chasing after dogs. My father holds my hand. I hurry alongside him, laughing at his jokes, smiling when I know I should smile. Deep inside, I am frightened. This is not normal. My father buys us each a bowl of sweet ice flavored with milk and honey, and together we sit to watch the woodmen and caulkers work on a new ship. He chats animatedly, telling me how strict Estenzia is about the quality of her ships, how every rope and sail and bobbin is tagged with labels and colors identifying the craftsman responsible. I don’t understand everything he says, but I don’t dare interrupt him. I wait for him to turn violent. But today my father looks so carefree that I can’t help but fall under the spell, letting myself believe entirely that he is finally happy with me.
Maybe things will be different from now on. Maybe I had just been making mistakes up until now.
Finally, when the sun begins making its way down the sky, we return to the gondolas and head for home. “Adelina,” he says as we sit together, swaying and creaking with the current. He takes my face in his hands. “I know who you really are. You needn’t be afraid.”
My smile stays on, even though my heart wavers. What does he mean?
“Show me what you can do, Adelina. I know there must be something inside of you.”
I stare back in confused silence, my foolish smile still planted on my lips. When I don’t answer, my father’s gentle expression starts to fade.
“Go on,” he coaxes. “You needn’t be afraid, child.” His voice lowers. “Show me that you are no ordinary malfetto. Go on.”
Slowly, I start to realize that he has been using kindness to coax my power out of me. Perhaps he’s even made a wager with somebody already, somebody who would pay my father for me if I could demonstrate some strange ability. My smile trembles along with my heart. He has tried violence and failed to provoke a power in me. Now he wants to try affection. Be careful, Violetta had told me. Do you see what a fool I am?
Still, I try. I want so badly to please him.
The next day, we repeat the same routine. My father is curiously gentle and attentive, treating me as if he saw Violetta before him instead of me. Violetta says nothing more, and I’m relieved. I know what he wants from me. And I am so hungry to accept this false kindness that I try every day, as hard as I can, to conjure something to please my father.
It never happens.
Finally, weeks later, my father’s good humor wanes. He takes my face into his hands one last time on that carriage ride home. He asks me to show him what I can do. And again, I fail. The carriage lurches along in an awkward, uncomfortable silence.
After a while, my father’s hands leave my face. He edges away from me, sighs, and looks out the window at the moving landscape.
“Worthless,” he mutters, his voice so quiet that I barely hear him.
The next morning, I lie in bed and anticipate my father coming in again with a smile on his face. Today is the day, I tell myself. This time, I am determined to please him, and his kindness will be able to coax something useful out of me. But he doesn’t come. When I finally get out of bed and find him, he ignores me. He has given up his quest to find me useful. Violetta sees me in the hallway. The distance between us feels overwhelming. Her eyes are large and dark, pitying. Her face, as usual, is perfect. I look away from her in silence.
My two weeks have come and gone.
Throughout it all, I haven’t found a single chance to visit Teren at the Inquisition Tower. Maybe I’ve been avoiding it on purpose. I don’t know. All I know is that my time is now up, and he will be expecting me. I know what will happen if I don’t show my face soon.
And tonight is my first official mission with the Daggers.
Their plan for tonight, as far as I understand, goes something like this:
The Spring Moons, Kenettra’s annual celebration of the season, is made up of three nights of festivals and parties, one night in honor of each of our three moons. Each night, a huge masquerade ball will take place at the water’s edge in Estenzia’s largest harbor. At midnight, six ships laden with fireworks will put on a dazzling display of lights over the water.